But now, she's very happy to be back. "I sort of got away from that in my own heart and brain for a while," Lee says. "And to come back to it and have it just be, to me right now, better than ever, it feels great."
She even managed to find some ways to incoprorate her hiatus into the new album, which was produced by Nick Raskulinecz (Deftones, Foo Fighters, Alice In Chains). Lee makes her recording debut playing the harp, which she took up after her husband got her the instrument as a gift. Then there are her own diverse musical tastes. "I remember when I first heard MGMT, their first record – I loved it, loved it. And I actually started getting inspired around that time with synthesizers and stuff. I have always loved Portishead, Massive Attack, those electro things," she says. "Some of that has made it here. But I think when I finally found the sweet spot was combining the two things, combining Evanescence with some new elements."
Lee says she has more confidence now as a musician than she ever did before – and that it's reflected in the new album. "We’re having a blast making epic dark music," she says. "I don’t need to feel like it has to be any certain thing, it doesn’t have to be all dark and spooky or whatever. It can just be great."
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